East Liberty Presbyterian Church

116 South Highland Avenue
Pittsburgh, PA 15206 US

Goulding & Wood (Renovation, 2007)
Æolian-Skinner Organ Co. (Opus 884,1931)
140 ranks. 7 divisions. 4 manuals.

GREAT

16’ Diapason
16’ Bourdon
8’ First Diapason
8’ Second Diapason
8’ Third Diapason
8’ Violoncello
8’ Claribel Flute
8’ Bourdon
8’ Gemshorn
8’ String Organ VI (floating)
5 ⅓‘ Quint

5 ⅓‘ Quint
4’ Principal
4’ Octave
4’ Flute
3 ⅕‘ Tenth
2 ⅔‘ Twelfth
2’ Fifteenth
2’ Flageolet
1 ⅗‘ Seventeenth
1 ⅓‘ Plein Jeu IV
2‘ Harmonics V (expressive)

16‘ Contra Tromba (expressive)
8‘ Tromba (expressive)
4‘ Octave Tromba (expressive)
8‘ Trompette en Chamade (Antiphonal)
4‘ Trompette en Chamade (Antiphonal)
8‘ Tuba Mirabilis (Solo)
8‘ State Trumpet (Solo)
Tremulant
Chimes
Harp
Greet Reeds Off Great
Great to Great 16–UO–4

SWELL

16‘ Contre Gambe
(extension of 8‘ Viole de Gambe)
16‘ Bourdon
8‘ Diapason
8‘ Geigen Diapason
8’ Nachthorn
8’ Stopped Diapason
8’ Viole de Gambe
8’ Voix celeste (low c)
8’ Salicional
8’ Salicional Celeste (low c)
8’ Flauto dolce

8’ Flute celeste (tenor c)
8’ String Organ VI (floating)
4’ Octave
4’ Flute ∆
2’ Super Octave
2’ Flautino
2’ Chorus mixture IV
1’ Cymbale III
16’ Double Trumpet
8’ French Trumpet
8’ Cornopean

8’ Oboe
8’ Vox humana
4’ Clarion
8’ Tuba Mirabilis (Solo)
8’ State Trumpet (Solo)
Tremulant
Harp
Chimes
Great Reeds on Swell
Swell to Swell 16–UO–4

CHOIR

16’ Contre Viole (extension of 8‘ Viole d’Orchestre)
16’ Quintaton
8’ Diapason
8’ Concert Flute
8’ Chimney Flute
8’ Viole d’Orchestre
8’ Viole celeste (low c)
8’ Erzahler
8’ Kleine Erzahler (tenor c)
8’ String Organ VI (floating)
4’ Fugara
4’ Violina

4’ Spindle Flute
2 ⅔‘ Nasard
2’ Piccolo
1 ⅗‘ Tierce
1 ⅓‘ Larigot
1‘ Sifflute
2‘ Full Mixture V
32’ Contra Bassoon
(extension of 16‘ Bassoon)
16’ Bassoon
8’ Corno di basetto
8’ Orchestral Oboe

8’ Trumpet
4’ Clarion
8’ Trompette en Chamade (Antiphonal)
8’ Tuba Mirabilis (Solo)
8’ State Trumpet (Solo)
Tremulant
Harp
Chimes
Great Reeds on Choir
Choir to Choir 16–UO–4

SOLO

8’ Gamba
8’ Gamba celeste (low c)
8’ String Organ VI (floating)
8’ Flauto Mirabilis
4’ Orchestral Flute
8’ Cornet V (g20 – c61)
8’ English Horn
8’ French Horn

8’ Tuba Minor
8’ State Trumpet (unenclosed)
8’ Tuba Mirabilis (hooded)
8’ Trompette en Chamade (Antiphonal)
Tremulant
Harp
Celesta

Chimes
Cymbelstern
Rossignol
Great Reeds on Solo
Solo to Solo 16–UO–4

ANTIPHONAL *

8′ Diapason
8′ Melodia
4′ Octave

4′ Hohlflöte
2′ Fifteenth
1 ⅓‘ Mixture IV

8′ Tuba
4′ Tuba Clarion

ANTIPHONAL EXPRESSIVE *

8′ Zartflöte
8′ Viole
8′ Vox Angelica
4′ Fernflöte

2′ Blockflöte
16′ Bassoon-Oboe
8′ Oboe (extension)

8′ Echo Vox Humana
Tremulant
Echo Chimes

ANTIPHONAL PEDAL *

16′ Major Bass
16′ Gemshorn
8′ Octave (extension of 16′ Major Bass)

8′ Gemshorn (extension)
16′ Bassoon (from Ant. Exp.)

8′ Bassoon (from Ant. Exp.)
4′ Bassoon (from Ant. Exp.)

PEDAL

32’ Bourdon
(extension of 16‘ Bourdon)
16’ Double Open Diapason
16’ Contrabass
16’ Bourdon
16’ Diapason (Great)
16’ Contre Gambe (Swell)
16’ Contre Viole (Choir)
16’ Bourdon (Great)
16’ Echo Lieblich Gedeckt (Swell)
16’ Quintaton (Choir)
8‘ Octave Metal
8‘ Principal
(extension of 16‘ Contrabass)
8‘ Octave Wood
(extension of 16‘ Diapason)

8‘ Stopped Flute
8‘ Gambe (Swell)
8‘ Bourdon (Great)
8‘ Still Gedackt (Swell)
8‘ Quintaton (Choir)
8‘ String Organ VI (floating)
4‘ Fifteenth
4‘ Cantus Flute
2 ⅔‘ Nineteenth
2‘ Twenty-Second
1 ⅓’ Mixture IV
32‘ Grand Cornet VI (derived)
32‘ Contra Bombarde
(extension of 16’ Bombarde)
32‘ Contra Bassoon (Choir)

16’ Bombarde
16’ Double Trumpet (Swell)
16’ Bassoon (Choir)
8’ Tromba
8’ Bassoon (Choir)
4’ Tromba Clarion
(extension of 8’ Tromba)
4’ Schalmei
8’ Trompette en Chamade (Antiphonal)
8’ Tuba Mirabilis (Solo)
8’ State Trumpet (Solo)
Tremulant
Chimes
Harp
Great Reeds On Pedal
Unison Off
Pedal Divide 12/13

COUPLERS

Swell to Great 16–8–4
Choir to Great 16–8–4
Solo to Great 16–8–4
Great to Choir 8
Choir to Swell 8
Solo to Swell 8

Swell to Choir 16–8–4
Solo to Choir 8
Pedal to Choir 8
Great to Solo 8–4
Swell to Solo 8–4
Choir to Solo 8

Great to Pedal 8–4
Swell to Pedal 8–4
Choir to Pedal 8–4
Solo to Pedal 8–4
Antiphonal to Pedal 8
Ant. Exp. to Pedal 8

Retired organist Rev. Dr. J. Richard Szeremany has recorded several videos explaining the organ. Check out their other YouTube videos for more demonstrations of the organ and views of the chancel.

(* – all work on Antiphonal divisions to be done later)